From the Taz review: It's reflective and it seems that the author knows what he writes about (except for "The Stream" instead of "The Scream").
After lots of blabla about the rise and fall of The Cure some notes about the music:
"Underneath The Stars" reminds the author of "Plainsong". The other songs on "4:13 Dream" only have faint resemblences with former songs. The Cure manage not to cite themselves musically. There are only little hints that create familiarity, such as the quirky pop song ("The only one") and "Sleep When I'm Dead" with its connection to "Head on the Door". The author thinks "The Scream" is the best song on the album.
The author realizes that the drums sound different than in Boris's era (not so much reverb) and that the keyboards are gone (but nobody misses them).
He does not see any influences of current musical fashion in "4:13 Dream". Depression, sadness, etc. are only hinted at and not sung about to excess.
The album sounds metallic and clear, pure and cleaned-up, sober and determined.
From the Die Zeit review: A negative one. In fact, so unbelievably negative that I had to laugh several times while reading the review.
Central points of criticism: - The Cure should have left out no. 13. Nothing really new. - More symbolism (13) than musical innovation - The Cure relive their own past. Underneath the Stars sounds as if recorded for Disintegration, The Only One and The Perfect Boy are the usual poppy side of Mid-80s-Cure, Sirensong fits on Wish, Sleep When I'm Dead on Kiss me, Freakshow is as excentric on WMS - But in contrast to those albums, 4:13 Dream is not a whole good piece of music. It's torn and without a red thread. - The songs are trivial, meaningless. Songs like Switch or It's over try to sound like The Cure but have no melody. - Porl's guitar play is boring (!!!). - And now (please don't laugh, that's what he says): The Only One is the only good song! Two, three other songs aren't bad (he doesn't name them). The rest is bad. - The production is bad (as bad as on the last three albums). You cannot distinguish the bass, for example. - And, of course, Robert's age might be responsible. He's so old and has listend so often to his own music that his ears, well, might not be very good any longer. (Ok, this might be irony but not very skillfully applied...)."
Bit of a mixed bag review that Premonition one! I can't be bothered to translate(sorry guys..it's a bit long)...but at the beggining you think..hmm here we go he's gonna slate the album, but give the guy credit, he comes good in the end with what i feel is a positive review..The parting shot being "Talent is present on the record, as expected, and this could be the time to get reconciled with The Cure.
i don't let reviews sway my opinion, but anybody that says the album sounds 'just like everything else the cure has done' either doesn't know the cure's history or hasn't listened to 4:13 dream.
"I just have to shake my head. I listened to the Cure in junior high school, and, believe me, no one else did. I can think of only three other people in my class who even knew who Robert Smith was before Disintegration came out in 1989. And now people act like every school dance closed with In Between Days . It just ain't true."
THIS.
THIS!!!
This paragraph just sums it all up for me.
It ALWAYS pisses me off when 80's-themed movies have an alt-rock soundtrack as if that was the dominant music of that time. The reality was that Janet Jackson et. al. were the real mainstream soundtrack of the 80's. Unfortunately, their music sucked, so nobody wants to use their music to remember the 80's by.
If you lived anywhere outside a major urban area in the 80's, you were a an outcast if you listened to bands like the Cure.
From the Taz review: It's reflective and it seems that the author knows what he writes about
ReplyDelete(except for "The Stream" instead of "The Scream").
After lots of blabla about the rise and fall of The Cure some notes about
the music:
"Underneath The Stars" reminds the author of "Plainsong". The other songs
on "4:13 Dream" only have faint resemblences with former songs. The Cure
manage not to cite themselves musically. There are only little hints that
create familiarity, such as the quirky pop song ("The only one") and
"Sleep When I'm Dead" with its connection to "Head on the Door". The
author thinks "The Scream" is the best song on the album.
The author realizes that the drums sound different than in Boris's era
(not so much reverb) and that the keyboards are gone (but nobody misses
them).
He does not see any influences of current musical fashion in "4:13 Dream".
Depression, sadness, etc. are only hinted at and not sung about to excess.
The album sounds metallic and clear, pure and cleaned-up, sober and determined.
From the Die Zeit review: A negative one. In fact, so unbelievably negative that I had to laugh
several times while reading the review.
Central points of criticism:
- The Cure should have left out no. 13. Nothing really new.
- More symbolism (13) than musical innovation
- The Cure relive their own past. Underneath the Stars sounds as if
recorded for Disintegration, The Only One and The Perfect Boy are the
usual poppy side of Mid-80s-Cure, Sirensong fits on Wish, Sleep When I'm
Dead on Kiss me, Freakshow is as excentric on WMS
- But in contrast to those albums, 4:13 Dream is not a whole good piece of
music. It's torn and without a red thread.
- The songs are trivial, meaningless. Songs like Switch or It's over try
to sound like The Cure but have no melody.
- Porl's guitar play is boring (!!!).
- And now (please don't laugh, that's what he says): The Only One is the
only good song! Two, three other songs aren't bad (he doesn't name them).
The rest is bad.
- The production is bad (as bad as on the last three albums). You cannot
distinguish the bass, for example.
- And, of course, Robert's age might be responsible. He's so old and has
listend so often to his own music that his ears, well, might not be very
good any longer. (Ok, this might be irony but not very skillfully
applied...)."
Thanks to Thomas for the translations.
ReplyDeleteBit of a mixed bag review that Premonition one! I can't be bothered to translate(sorry guys..it's a bit long)...but at the beggining you think..hmm here we go he's gonna slate the album, but give the guy credit, he comes good in the end with what i feel is a positive review..The parting shot being "Talent is present on the record, as expected, and this could be the time to get reconciled with The Cure.
ReplyDeleteThanks for that; I'm glad I didn't have to wade my way through those with my shoddy German!
ReplyDelete"And now (please don't laugh, that's what he says): The Only One is the only good song!"
I laughed! XD
i don't let reviews sway my opinion, but anybody that says the album sounds 'just like everything else the cure has done' either doesn't know the cure's history or hasn't listened to 4:13 dream.
ReplyDeleteFrom the Beacon review:
ReplyDelete"I just have to shake my head. I listened to the Cure in junior high school, and, believe me, no one else did. I can think of only three other people in my class who even knew who Robert Smith was before Disintegration came out in 1989. And now people act like every school dance closed with In Between Days . It just ain't true."
THIS.
THIS!!!
This paragraph just sums it all up for me.
It ALWAYS pisses me off when 80's-themed movies have an alt-rock soundtrack as if that was the dominant music of that time. The reality was that Janet Jackson et. al. were the real mainstream soundtrack of the 80's. Unfortunately, their music sucked, so nobody wants to use their music to remember the 80's by.
If you lived anywhere outside a major urban area in the 80's, you were a an outcast if you listened to bands like the Cure.
MB: I agree with you. I don't get all of these reviews writing it off as "just another Cure album, like all the others..." :\
ReplyDelete