Very nice article on Reeves in
East Nashvillian. An excerpt:
In the spring of 2012, another old friend, Robert Smith of The Cure,
asked him to join the band’s summer tour as a second guitarist, and that
led to an invitation at the end of the tour to join the legendary group
full-time.
“When everything happened with The Cure, it all happened so fast.
The nature of the music business is not a straight line — at its best,
it’s like a sine wave; it has peaks and valleys. To get back on the
merry-go-round in my 50s was kind of a surprise, because I was just
trying to find a way to gracefully ride out to my death,” he says,
laughing.
“I joined one of the coolest bands ever, one of the most
identifiable and idiosyncratic bands — they sound like nobody else. For
them to welcome me into that, and to welcome whatever sonic variation I
can bring to the band, is really nice.
“Whatever I brought to it, I’ve made a conscious effort to support
the vocals, which I don’t think always happened in the band. I’m pretty
comfortable in my own skin. I’m not trying to prove something, I’m just
trying to do the right thing for the music. But it is nice to catch a
smile from Robert onstage when I try something that I’m not sure if I’m
getting too weird, or not weird enough, or just trying something out,”
he adds. “It has been very welcoming.”
When he’s not busy with The Cure, Gabrels is immersed in other
projects. Fantastic Guitars, a record he did with Bill Nelson of Bebop
Deluxe fame, was released in July, and his fifth solo album,
Reeves Gabrels & His Imaginary Friends, is scheduled to drop in October.
“I don’t do the solo thing because I’m not satisfied with what I’m
doing with [The Cure],” Gabrels says. “I do the solo thing because I’ve
always done my own thing.”