From The Quietus:
"It would have been at some point in late 1987, my senior year of high
school, and it would have been in one of the two English literature
courses I was taking that year. (Because I sure as hell didn’t want to
do phys ed classes after I didn’t have to any more.) I had heard this
song 'Just Like Heaven' on the radio and was randomly enthusing about
it, because it was really good and all. I remember my classmate Susan
Orozco - who regularly preferred to dress all in black, like a small
coterie of people at our high school - saying in response “Yeah, but I
think they sold out.” My reaction was essentially confusion - the class
was about to start and I just wasn’t sure what to make of it. What was
there to sell out from? And if it sounded this good, why complain?
A couple of years back I celebrated The Head On The Door’s
30th anniversary for tQ and so here I am again a couple of years later
with the next album along the way. So I won’t try to add anything
further to the potted band history I already gave in that feature,
except to note an extension. After that album’s well-deserved success in
the UK and elsewhere (especially on incipient alternative radio in the
US) the temporarily stable lineup of Robert Smith, Simon Gallup, Lol
Tolhurst, Porl Thompson and Boris Williams, spent 1986 dealing with
retrospection colliding with the present. The Standing On The Beach
singles collection - easily one of the best of its era, hands down, a
perfect illustration of just how Smith and company’s pop instincts had
been on since the start - served as both a good reason to hit the road
some more and create a great concert film in The Cure In Orange while they were at it. "
Read the rest at The Quietus.