Friday, November 20, 2015
2nd New Orleans show added on May 10th!
From the official site:
A SECOND (AND FINAL) NEW ORLEANS CURE SHOW HAS BEEN ADDED TUESDAY MAY 10TH
DUE TO SOLD OUT WEDNESDAY NIGHT SHOW & AN OVERWHELMING DEMAND FOR TICKETS, A SECOND (AND FINAL) NEW ORLEANS CURE SHOW HAS BEEN ADDED TUESDAY MAY 10TH
THIS WILL BE THE OPENING DATE OF THE CURE TOUR 2016
TICKETS ON PRE SALE THIS MONDAY 23RD NOVEMBER 10AM CT AT:
5/10: New Orleans, LA
UNO Lakefront Arena
Presale: 11/23 @10a - 11/23 @10pCT
Password: CURENO2
On Sale: 11/24 @10a CT
Ticket Link: http://www.ticketmaster.com/event/1B004F73C40C7789
Note: The arena's presale code/password is CUREUNO.
New Orleans & Miami night 2 on sale today
June 27th, 2016 - Miami, FL at Bayfront Park Amphitheater
On sale Nov. 20th at 10 am eastern
Tickets range from $25 - $125
Ticket link
May 11th, 2016 - New Orleans, LA at UNO Lakefront Arena
On sale Nov. 20th at 10 am central
Tickets range from $23 - $68
Ticket link
On sale Nov. 20th at 10 am eastern
Tickets range from $25 - $125
Ticket link
May 11th, 2016 - New Orleans, LA at UNO Lakefront Arena
On sale Nov. 20th at 10 am central
Tickets range from $23 - $68
Ticket link
Thursday, November 19, 2015
Roger updates
From Roger on Facebook:
"It's official; we are very pleased to announce that we will be performing two scenes from our new ballet Orpheus and Eurydice at a gala in Moscow on December 15th at the Kremlin Palace. Choreographed by Nikita Dimitrievsky with costumes designed by Irakli. Very, very excited about this, I will be playing on stage with four cellos and piano and Masha Semenyachenko will dance with her partner from the Bolshoi."
Update (11-19-15):
And another new project:
"It took me a while to get over Love and Other Tragedies emotionally and creatively but then I suppose you always need a break after releasing something...
Anyway I'm very excited to announce a new project which is a collaboration with Quartet Voluté and returns to a subject close to me The Crow.
A collection of six pieces of music for piano and string quartet based on Ted Hughes poems.
"It's official; we are very pleased to announce that we will be performing two scenes from our new ballet Orpheus and Eurydice at a gala in Moscow on December 15th at the Kremlin Palace. Choreographed by Nikita Dimitrievsky with costumes designed by Irakli. Very, very excited about this, I will be playing on stage with four cellos and piano and Masha Semenyachenko will dance with her partner from the Bolshoi."
Update (11-19-15):
Rehearsals have begun in Moscow and I will be joining them on December 11th. https://t.co/z3r2Ez7woo Feeling very lucky to be doing this...
— Roger O'Donnell (@RogerODonnell) November 19, 2015
And another new project:
"It took me a while to get over Love and Other Tragedies emotionally and creatively but then I suppose you always need a break after releasing something...
Anyway I'm very excited to announce a new project which is a collaboration with Quartet Voluté and returns to a subject close to me The Crow.
A collection of six pieces of music for piano and string quartet based on Ted Hughes poems.
We're going to record it in December and the aim is to have it choreographed and a film made of the dance. Its nice to be inspired again and I have to thank somebody... they know who they are.
"Up there he cried where black was white, I won" "
"Up there he cried where black was white, I won" "
Curespottings on recent TV shows
'Siamese Twins' was used in the Oct. 21st episode of American Horror Story: Hotel. Watch a clip here.
(Thanks Perfect.Murder, @ebbhead, and @manrae_)
'Pictures of You' was played and a Cure concert discussed on the Oct. 20th episode of Grandfathered. Watch it here (starts at 15:45, PoY at 18:55). (Thanks JH and Diego)
'Catch' is played during the closing credits in episode 9 of Aziz Ansari's new Netflix show, Master of None.
(Thanks Nancy and Debi)
" 'Friday I'm in Love' featured heavily in iZombie Season 2 Episode 5 (aired Nov. 3rd, 2015) “Love & Basketball”. One of the characters sang lyrics, referenced The Cure, and the actual song was played as well. You can see the whole show here (scene starts around the 33:35 minute mark)." (Thanks Chris)
Update (11-19-15) : More Cure on American Horror Story: Hotel. They used 'Lullaby' in last night's episode.
(Thanks @joefrog91, @nyx_awakened, and Todd)
(Thanks Perfect.Murder, @ebbhead, and @manrae_)
'Pictures of You' was played and a Cure concert discussed on the Oct. 20th episode of Grandfathered. Watch it here (starts at 15:45, PoY at 18:55). (Thanks JH and Diego)
'Catch' is played during the closing credits in episode 9 of Aziz Ansari's new Netflix show, Master of None.
(Thanks Nancy and Debi)
" 'Friday I'm in Love' featured heavily in iZombie Season 2 Episode 5 (aired Nov. 3rd, 2015) “Love & Basketball”. One of the characters sang lyrics, referenced The Cure, and the actual song was played as well. You can see the whole show here (scene starts around the 33:35 minute mark)." (Thanks Chris)
Update (11-19-15) : More Cure on American Horror Story: Hotel. They used 'Lullaby' in last night's episode.
(Thanks @joefrog91, @nyx_awakened, and Todd)
Wednesday, November 18, 2015
Cure play Lakefront Arena in New Orleans!
Now we have the New Orleans show info!
Update (Nov. 16th): And now the presale info.
May 11th, 2016 - New Orleans, LA at UNO Lakefront Arena
Facebook Event Page
Tickets on sale Nov. 20th at 10 am central
Presale on Nov. 18th at 10 am
Codes: CURENOLA, CURE2016
Tickets range from $38 - $68
4 ticket limit for presale
Seating chart has changed! GA Floor now!
"The Cure arrive at the Lakefront Arena on May 11, 2016. This is their first stop on their U.S. Tour - you don't want to miss this intimate and memorable night! Tickets go on sale on Friday, November 20 at 10 am. Tickets available at the Lakefront Arena Box Office, all Ticketmaster outlets, online at Ticketmaster.com, or charge by phone at 800-745-3000. Please check with Ticketmaster retail locations for their individual hours."
While many of us were hoping they'd play the Saenger or Orpheum, I am very happy to see them return to UNO! That's where it all started for me. My first Cure show was there on July 25th, 1987. So thank you to Robert and the band for coming back again!
Tuesday, November 17, 2015
Robert Interview & videos from 2004
An old interview with Robert from 2004 (around the time of the Rock Walk induction ceremony at Guitar Center in Hollywood.), which has recently been uploaded. (Thanks @biva77)
Update (08/03/15): And some more newly uploaded videos from the event. (Thanks ml68)
Update (08/30/15): And another newly uploaded video from the event.
Update (11/17/15): And another one just uploaded today.
Love Amongst Ruin rehearsal clip
In rehearsals
Here’s a little teaser from rehearsals ahead of our London show. We’ll be stopping at The Borderline on 24th Nov on the first date of our Lose Your Way Tour, with Desert Mountain Tribe supporting. We look forward to seeing you all there! Tickets: po.st/LARLondon
Posted by Love Amongst Ruin on Thursday, November 5, 2015
See all tour dates and get tickets here.
Also, they want you to film the shows:
Dear all,
We will see you all soon on the 'Lose Your Way' Tour. We would like to ask you to make videos during the concerts and upload them to youtube (or your preferred platform)and send us the link via private message. We will go through all the videos after the tour and re-post the amazing memories you recorded for us.
Thanks in advance – LAR
And from Perry:
"A WEEK AWAY FROM OUR FIRST SHOW. FIRST TIME PLAYING LIVE FOR ME IN A LONG TIME!
-To all those people requesting gigs in their town/country not on our schedule - I hope we can see you next time around!
Love to all - be safe!!!"
Have a great tour, Perry! So happy to see you playing again! All the best to you and your family!
Monday, November 16, 2015
Vancouver & Montreal sale info
5/31/16: Vancouver, BC at Deer Lake Park
On Sale: Nov. 27th at 10 am Pacific
Presale: Nov 25th at 10 am Pacific
(Note: This is a change from what the official site says)
Codes: TRACKS(?), COVERT(?)
Tickets are $57
Ticket link
6/14/16: Montreal, QC at Bell Centre
On Sale: Nov. 27th at 10 am eastern
Presale: Nov. 25th at 10 am eastern
Codes: Not released yet
Tickets range from $30 - $94.50
Ticket link
On Sale: Nov. 27th at 10 am Pacific
Presale: Nov 25th at 10 am Pacific
(Note: This is a change from what the official site says)
Codes: TRACKS(?), COVERT(?)
Tickets are $57
Ticket link
6/14/16: Montreal, QC at Bell Centre
On Sale: Nov. 27th at 10 am eastern
Presale: Nov. 25th at 10 am eastern
Codes: Not released yet
Tickets range from $30 - $94.50
Ticket link
2nd Miami show added on June 27th
DUE TO SOLD OUT SUNDAY NIGHT SHOW & AN OVERWHELMING DEMAND FOR
TICKETS A SECOND (AND FINAL) MIAMI CURE SHOW HAS BEEN ADDED MONDAY JUNE
27TH
6/27/16: Miami Bayfront Park Amphitheater
OnSale: Nov. 20th at 10 am eastern
Presale: Nov. 18th at 9 am eastern
Codes: TRACKS, COVERT
Tickets range from $25 - $125
6/27/16: Miami Bayfront Park Amphitheater
OnSale: Nov. 20th at 10 am eastern
Presale: Nov. 18th at 9 am eastern
Codes: TRACKS, COVERT
Tickets range from $25 - $125
Cure Tour 2016 ticket contests
FM 94.9: Win tickets to the Chula Vista show.
DC101: Win tickets to the Columbia, MD show everyday during the#90satnoon w/ @mikejonesradio, in the afternoon w/ @rocheonair and at night w/ @klingershow.
DC101: Win tickets to the Columbia, MD show everyday during the
Saturday, November 14, 2015
How The Cure reshaped goth rock on "Disintegration"
New Record Bin article at Nooga takes a look back at 'Disintegration'. Here's an excerpt:
"Disintegration" was released May 2, 1989, and would forever change the way people looked at and responded to The Cure. Once this record came out, for better or worse, people would gauge this aesthetic by its attention to or delineation from the sounds of this specific album. Whereas their previous few records were steeped in pop distraction, "Disintegration" was a return to the dark, dense sounds of their early '80s work. This was a new chapter in goth rock's storied lineage, and The Cure was determined that the genre would again have the emotional potential that it once had before it became something of a cultural stereotype.
These songs are bottomless, filled with cocooning rhythms and the band's trademark opulence. But there isn't a sense that they were trying to reclaim some of their former glory. They were taking the experiences and inspirations from those earlier records and reconditioning them into a subverting take on the goth rock mentality. And besides being a callback to the sounds of their prior releases, "Disintegration" is arguably the band's greatest accomplishment—it is the sound of a band remembering why they loved making music in the first place.
Read the rest at Nooga.
Public onsales Friday & Saturday
If you missed out on the presales, or want to try and upgrade your seats, public onsales for most of the shows start Friday, Nov. 13th, at 10 am local times. Miami, Denver, and Kansas City go on sale Saturday, Nov. 14th, at 10 am local times.
On sale Saturday Nov. 14th
June 26th - Miami, FL at Bayfront Park Amphitheater
Ticket link (on sale at 10 am Eastern)
June 8th - Kansas City, MO at Starlight Theatre
Ticket link (on sale at 10 am Central)
If you're having trouble with the website, call +1 (816) 363-7827 for tickets.Thanks @jess_and_tonic!
June 5th - Denver, CO at Fiddler's Green Amphitheatre
Ticket link (on sale at 10 am Mountain)
On sale Nov. 13th at 10 am Eastern
June 22nd - Columbia, MD at Merriweather Post Pavilion
Ticket link
June 24th - Atlanta, GA at Aarons Amphitheater Lakewood
Ticket link
On sale Nov. 13th at 10 am Central
May 13th - Austin, TX at Frank Erwin Center
Ticket link
On sale Nov. 13th at 10 am Mountain
May 17th - El Paso, TX at Don Haskins Center
Ticket Link
June 3rd - Salt Lake City, UT at Maverik Center
Ticket link
On sale Nov. 13th at 10 am Pacific
May 19th - Las Vegas, NV at The Chelsea Theater at The Cosmopolitan
Ticket link
May 20th - Chula Vista, CA at Sleep Train Amphitheater
Ticket link
May 26th - Mountain View, CA at Shoreline Amphitheatre
Ticket link
Friday, November 13, 2015
Kansas City presale
June 8th - Kansas City, MO at Starlight Theatre
On Sale: Nov. 14th at 10 am Central
Presale on Nov. 13th at 10 am Central
Tickets range from $25 - $95
Codes: TRACKS, PHOTO
Presale ticket link
On Sale: Nov. 14th at 10 am Central
Presale on Nov. 13th at 10 am Central
Tickets range from $25 - $95
Codes: TRACKS, PHOTO
Presale ticket link
Thursday, November 12, 2015
Lol at San Diego Music Thing on Friday
Go see Lol at the San Diego Music Thing on Friday, Nov. 13th, at 1:15 PM. He'll be part of this panel on touring:
ON THE ROAD AGAIN - REVENUE STREAMS FOR TOURING MUSICIANS• 1:15 pm
Every kid in a garage has dreamed of it, but how does a band actually go on tour? Learn how to pay for your tour and get the lowdown on alternative revenue streams for touring bands.
Panelists Include: Mike Merriman, PARR3; Andy Altman, GigTown; Brad Lee, Tour Manager; Lol Tolhurst, The Cure; Tim Mays, The Casbah.
ON THE ROAD AGAIN - REVENUE STREAMS FOR TOURING MUSICIANS• 1:15 pm
Every kid in a garage has dreamed of it, but how does a band actually go on tour? Learn how to pay for your tour and get the lowdown on alternative revenue streams for touring bands.
Panelists Include: Mike Merriman, PARR3; Andy Altman, GigTown; Brad Lee, Tour Manager; Lol Tolhurst, The Cure; Tim Mays, The Casbah.
Presales this week
Will post all presale codes as soon as I have them. If you get any that are not listed, please let us know. Thanks! Will update with any new presales and info as it gets released.
Today Nov. 12th
June 22nd - Columbia, MD at Merriweather Post Pavilion
On Sale: Nov. 13th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern
Tickets range from $40 - $80
Code: heaven
Presale ticket link
June 24th - Atlanta, GA at Aarons Amphitheater Lakewood
On Sale: Nov. 13th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern
Tickets range from $25 - $100
Codes: THECUREINATLANTA, thecure2016, THECURE
Presale ticket link
June 26th - Miami, FL at Bayfront Park Amphitheater
On Sale: Nov. 14th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern
Tickets range from $25 - $125
Live Nation presale code: TRACKS
Live Nation Mobile App code: COVERT
Presale Ticket Link
May 13th - Austin, TX at Frank Erwin Center
On Sale: Nov. 13th at 10 am Central
Presale on Nov. 12th at 10 am Central
Codes: THECUREATX, PICTURESOFYOU, LOVESONG, FRIDAYIMINLOVE
Presale ticket link
June 5th - Denver, CO at Fiddler's Green Amphitheatre
On Sale: Nov. 14th at 10 am Mountain
Presale on Nov. 12th at 10 am Mountain
Tickets range from $25 - $75
Codes: itsFriday, iminlove
Presale ticket link
May 17th - El Paso, TX at Don Haskins Center
On Sale: Nov. 13th at 10 am Mountain
Presale on Nov. 12th at 10 am Mountain
Tickets range from $19.25 - $60.25
Code: THECUREINELPASO
Presale ticket link
May 26th - Mountain View, CA at Shoreline Amphitheatre
On Sale: Nov. 13th at 10 am Pacific
Presale on Nov. 12th at 10 am Pacific
Tickets range from $? - $107
Codes: lovesong, TRACKS
Presale ticket link
May 19th - Las Vegas, NV at The Chelsea Theater at The Cosmopolitan
On Sale: Nov. 13th at 10 am Pacific
Identity Membership Presale on Nov. 12th at 10 am Pacific
Tickets range from $50 - $125
Code: CURELV
Presale ticket link
Nov. 11th presales end tonight
June 3rd - Salt Lake City, UT at Maverik Center
On Sale: Nov. 13th at 10 am Mountain
Presale on Nov. 11th at 10 am Mountain
RESERVED MAIN FLOOR $58.00 - $48.00
RESERVED LOWER BOWL $58.00 - $38.00
RESERVED UPPER BOWL $28.00
Code: MAVCURE
Presale ticket link
May 20th - Chula Vista, CA at Sleep Train Amphitheater
On Sale: Nov. 13th at 10 am Pacific
Presale on Nov. 11th at 10 am Pacific
Tickets range from $32 - $82
Live Nation code: TRACKS
Live Nation Mobile App code: COVERT
Other codes: thecure2016 / FM949
Presale ticket link
The Cure - 10 of the Best
Great list from The Guardian:
1. 10.15 Saturday Night
Miserable sorts looking to knock the Cure often crow over how erratic they can be. I can see their point: there certainly aren’t many other bands I can think of that bob so wildly from masterpiece to medicority. They’ve released some of my favourite ever albums – records I wish could be hidden in time capsules so that future citizens of Earth will hear them and hopefully feel the same way they made me feel. And they’ve made others which have been disappointing enough for me to wish Viking-style burials upon; a fleet of fiery CDs drifting in the ocean that can no longer trouble my ears. A tattered copy of Disintegration, a present from my older brother, is one of my prized possessions. On the other hand, my dad gave me a copy of 4.13 Dream shortly before he told me he’d been having an affair and was leaving home; I’m still more resentful about being saddled with 4.13 Dream.
But who cares about consistency? The Cure have always been guided by their restlessness, and it’s led them to many moments of greatness. It also means that, because they’re so changeable, they have more than one way of being brilliant. On their 1979 debut Three Imaginary Boys, for example, they’re still a post-punk band, coming on like Wire with smudged make-up, courtesy of cold, razor-like guitars and poppyish melodies. Opener 10.15 Saturday Night nails the nervy horror of sitting by a phone that never rings, with Robert Smith’s heavy fretting exacerbated by the irritating “drip drip drip drip” of a leaky tap. “I’m wondering where she’s been / And I’m crying for yesterday,” he bellyaches, before he’s drowned out by a needling, nagging riff.
2. A Forest
Smith wasn’t particularly taken with Three Imaginary Boys. The band’s label, Fiction, had the final say on its tracklisting and artwork, and it didn’t sound right either. “I didn’t even like it at the time,” he admitted. “There were criticisms made that it was very lightweight, and I thought they were justified.” Far more interesting was the sound being made by touring partners Siouxsie and the Banshees, for whom Smith would moonlight as a guitarist. But with their second album, Seventeen Seconds, the Cure made their first sprawl into smothering gothic rock. And no track on the album feels more like it’s been cursed by dark magic than A Forest. Smith has since backpedalled on the story that it was inspired by a dream he’d had as a little boy about being lost in the woods, but there is still something about it that feels like a twisted fairy tale: the organ’s ghoulish murmur, the ghostly guitars, the sudden flashes of synthesiser. “Suddenly I stop, but I know it’s too late,” pants a scared-sounding Smith. “I’m lost in a forest, all alone.” You’ll feel just as uneasy as him.
3. The Drowning Man
There has always been a literary bent to the Cure’s work: their controversial debut single Killing an Arab, for example, tapped into Albert Camus’s existentialist novella The Stranger. Smith used his bookcase for inspiration on their brilliantly melancholic third album, Faith, too, this time lifting from Mervyn Peake’s fantasy series Gormenghast. The Drowning Man’s spooky rattle is inspired by the fateful plight of Lady Fuschia Groan, who is devastated to discover that her lover, the sneaky Steerpike, is responsible for killing her father. Overcome with grief, she is perched on a windowsill when a knock on the door startles her into banging her head on the ledge and drowning. The scene is brought to life with one of the Cure’s murkiest scores, all icy splashes of noise and the hiss of snaky guitars as Smith sings her down into the watery depths: “One by one her senses die / The memories fade and leave her eyes.” He pinches and tweaks lines from Peake’s prose, too. “Everything was true / It couldn’t be a story,” he sings at one point, echoing the heartbreaking moment when Fuschia realises the evidence is overwhelming, and her betrothed is a scumbag. The truth doesn’t set her free; it is the beginning of the end.
4. One Hundred Years
Has there ever been a more terrifying start to an album than this? Listen, now, to Pornography’s desolate opener One Hundred Years, and you’ll be convinced that some spectacular storm is brewing. “It doesn’t matter if we all die!” yelps a crazed Smith as black clouds gather above, over dry clattering drums and the shrill howl of guitars. Smith has often referred to Poronography as the first instalment in a trilogy of albums that also includes Disintegration and 2000’s Bloodflowers. It’s a canny idea, but it’s possible, too, to regard it as the finale in some dread triptych that starts with Seventeen Seconds, gathers misanthropic pace with Faith and culminates here, with the Cure at their most magnificently bleak. “Stroking your hair as the patriots are shot!” barks Smith, like he’s being forced to watch gruesome images of violence à la A Clockwork Orange. “Fighting for freedom on television / Sharing the world with slaughtered pigs!” The terror doesn’t stop there, either. “The ribbon tightens around my throat / I open my mouth and my head burst open,” he yells, a rush of noise wailing dementedly behind him, before concluding: “We die one after the other / Over and over.” A song thick with frenzied fear that’s made for the end of days.
5. A Strange Day
Pornography, according to Smith, was supposed to be the “ultimate ‘fuck off’ record”, an album so unremittingly harrowing that the Cure would never be able to follow it. It certainly proved too upsetting for some. Rolling Stone, for example, memorably declared it: “the aural equivalent of a bad toothache. It isn’t the pain that irks, it’s the persistent dullness.” Think of A Strange Day, then, as some hellish hallucination brought on by the gas given to you in the dentist’s chair: the moment when Smith peers far into the future and brings back dreadful tales of the world’s end. It’s a few minutes of eerie calm among the ugly din of Pornography, with its sick, churning synthesiser and sidewinding guitar. But its subtlety doesn’t make it any less scary. In fact, it’s creepier, to hear Smith so disturbingly peaceful about what he’s seen. “Give me your eyes that I might see the blind man kissing my hands,” he sings serenely, making like a feverish Colonel Kurtz. “The sun is humming / My head turns to dust as he plays on his knees.” The horror, the horror.
1. 10.15 Saturday Night
Miserable sorts looking to knock the Cure often crow over how erratic they can be. I can see their point: there certainly aren’t many other bands I can think of that bob so wildly from masterpiece to medicority. They’ve released some of my favourite ever albums – records I wish could be hidden in time capsules so that future citizens of Earth will hear them and hopefully feel the same way they made me feel. And they’ve made others which have been disappointing enough for me to wish Viking-style burials upon; a fleet of fiery CDs drifting in the ocean that can no longer trouble my ears. A tattered copy of Disintegration, a present from my older brother, is one of my prized possessions. On the other hand, my dad gave me a copy of 4.13 Dream shortly before he told me he’d been having an affair and was leaving home; I’m still more resentful about being saddled with 4.13 Dream.
But who cares about consistency? The Cure have always been guided by their restlessness, and it’s led them to many moments of greatness. It also means that, because they’re so changeable, they have more than one way of being brilliant. On their 1979 debut Three Imaginary Boys, for example, they’re still a post-punk band, coming on like Wire with smudged make-up, courtesy of cold, razor-like guitars and poppyish melodies. Opener 10.15 Saturday Night nails the nervy horror of sitting by a phone that never rings, with Robert Smith’s heavy fretting exacerbated by the irritating “drip drip drip drip” of a leaky tap. “I’m wondering where she’s been / And I’m crying for yesterday,” he bellyaches, before he’s drowned out by a needling, nagging riff.
2. A Forest
Smith wasn’t particularly taken with Three Imaginary Boys. The band’s label, Fiction, had the final say on its tracklisting and artwork, and it didn’t sound right either. “I didn’t even like it at the time,” he admitted. “There were criticisms made that it was very lightweight, and I thought they were justified.” Far more interesting was the sound being made by touring partners Siouxsie and the Banshees, for whom Smith would moonlight as a guitarist. But with their second album, Seventeen Seconds, the Cure made their first sprawl into smothering gothic rock. And no track on the album feels more like it’s been cursed by dark magic than A Forest. Smith has since backpedalled on the story that it was inspired by a dream he’d had as a little boy about being lost in the woods, but there is still something about it that feels like a twisted fairy tale: the organ’s ghoulish murmur, the ghostly guitars, the sudden flashes of synthesiser. “Suddenly I stop, but I know it’s too late,” pants a scared-sounding Smith. “I’m lost in a forest, all alone.” You’ll feel just as uneasy as him.
3. The Drowning Man
There has always been a literary bent to the Cure’s work: their controversial debut single Killing an Arab, for example, tapped into Albert Camus’s existentialist novella The Stranger. Smith used his bookcase for inspiration on their brilliantly melancholic third album, Faith, too, this time lifting from Mervyn Peake’s fantasy series Gormenghast. The Drowning Man’s spooky rattle is inspired by the fateful plight of Lady Fuschia Groan, who is devastated to discover that her lover, the sneaky Steerpike, is responsible for killing her father. Overcome with grief, she is perched on a windowsill when a knock on the door startles her into banging her head on the ledge and drowning. The scene is brought to life with one of the Cure’s murkiest scores, all icy splashes of noise and the hiss of snaky guitars as Smith sings her down into the watery depths: “One by one her senses die / The memories fade and leave her eyes.” He pinches and tweaks lines from Peake’s prose, too. “Everything was true / It couldn’t be a story,” he sings at one point, echoing the heartbreaking moment when Fuschia realises the evidence is overwhelming, and her betrothed is a scumbag. The truth doesn’t set her free; it is the beginning of the end.
4. One Hundred Years
Has there ever been a more terrifying start to an album than this? Listen, now, to Pornography’s desolate opener One Hundred Years, and you’ll be convinced that some spectacular storm is brewing. “It doesn’t matter if we all die!” yelps a crazed Smith as black clouds gather above, over dry clattering drums and the shrill howl of guitars. Smith has often referred to Poronography as the first instalment in a trilogy of albums that also includes Disintegration and 2000’s Bloodflowers. It’s a canny idea, but it’s possible, too, to regard it as the finale in some dread triptych that starts with Seventeen Seconds, gathers misanthropic pace with Faith and culminates here, with the Cure at their most magnificently bleak. “Stroking your hair as the patriots are shot!” barks Smith, like he’s being forced to watch gruesome images of violence à la A Clockwork Orange. “Fighting for freedom on television / Sharing the world with slaughtered pigs!” The terror doesn’t stop there, either. “The ribbon tightens around my throat / I open my mouth and my head burst open,” he yells, a rush of noise wailing dementedly behind him, before concluding: “We die one after the other / Over and over.” A song thick with frenzied fear that’s made for the end of days.
5. A Strange Day
Pornography, according to Smith, was supposed to be the “ultimate ‘fuck off’ record”, an album so unremittingly harrowing that the Cure would never be able to follow it. It certainly proved too upsetting for some. Rolling Stone, for example, memorably declared it: “the aural equivalent of a bad toothache. It isn’t the pain that irks, it’s the persistent dullness.” Think of A Strange Day, then, as some hellish hallucination brought on by the gas given to you in the dentist’s chair: the moment when Smith peers far into the future and brings back dreadful tales of the world’s end. It’s a few minutes of eerie calm among the ugly din of Pornography, with its sick, churning synthesiser and sidewinding guitar. But its subtlety doesn’t make it any less scary. In fact, it’s creepier, to hear Smith so disturbingly peaceful about what he’s seen. “Give me your eyes that I might see the blind man kissing my hands,” he sings serenely, making like a feverish Colonel Kurtz. “The sun is humming / My head turns to dust as he plays on his knees.” The horror, the horror.
Tuesday, November 10, 2015
More dates announced for the 2016 tour!
From the official site:
"The Cure will be playing 27 shows in 22 North America cities next Spring, their first major tour of the continent since 2008.
During the past 7 years the band has performed a number of 'Reflections' shows in LA and NYC, and headlined most of the major festivals, including Coachella, Lollapalooza, Bottlerock, Osheaga, two Austin City Limits, three Riots and a Voodoo...
"THE CURE TOUR 2016" will present Robert Smith (voice/guitar), Simon Gallup (bass), Jason Cooper (drums), Roger O'Donnell (keys) and Reeves Gabrels (guitar) as they explore 37 years of Cure songs, mixing hits, rarities, favourites and as yet unreleased tracks in a brand new stage production that promises to be the 'must see' show of the year!
Support on all dates will be The Twilight Sad.
May 11th - New Orleans, LA
On-sale and show info announced soon
May 13th - Austin, TX at Frank Erwin Center
On Sale: Nov. 13th at 10 am Central
Presale on Nov. 12th at 10 am Central
May 14th - Houston, TX
On-sale and show info announced soon
May 15th - Dallas, TX
On-sale and show info announced soon
May 17th - El Paso, TX at Don Haskins Center
On Sale: Nov. 13th at 10 am Mountain
Presale on Nov. 12th at 10 am Mountain.
Tickets range from $19.25 - $60.25
May 19th - Las Vegas, NV at The Chelsea Theater at The Cosmopolitan
On Sale: Nov. 13th at 10 am Pacific
Presale on Nov. 12th at 10 am Pacific.
Tickets range from $50 - $125
May 20th - Chula Vista, CA at Sleep Train Amphitheater
On Sale: Nov. 13th at 10 am Pacific
Presale on Nov. 11th at 10 am Pacific
Tickets range from $32 - $82
May 22nd, 23rd, 24th - Los Angeles, CA at The Hollywood Bowl
Sold Out!
May 26th - Mountain View, CA at Shoreline Amphitheatre
On Sale: Nov. 13th at 10 am Pacific
Presale on Nov. 12th at 10 am Pacific
Tickets range from $? - $107
May 31st - Vancouver, BC at Festival Lawn at Deer Lake Park
On Sale: Nov. 27th
Tickets are $57
June 3rd - Salt Lake City, UT at Maverik Center
On Sale: Nov. 13th at 10 am Mountain
Presale on Nov. 11th at 10 am Mountain
RESERVED MAIN FLOOR $58.00 - $48.00
RESERVED LOWER BOWL $58.00 - $38.00
RESERVED UPPER BOWL $28.00
June 5th - Denver, CO at Fiddler's Green Amphitheatre
On Sale: Nov. 14th at 10 am Mountain
Presale on Nov. 12th at 10 am Mountain
Tickets range from $25 - $75
June 8th - Kansas City, MO at Starlight Theatre
On Sale:Nov. 14th at 10 am Central
Tickets range from $25 - $95
June 10th & 11th - Chicago, Il at U.I.C Pavilion
10th is Sold Out!
June 12th or 13th - Toronto, ON
On-sale and show info announced soon
June 14th - Montreal, QC at Bell Centre
On Sale: Nov. 27th at 10 am Eastern
June 16th - Boston, MA
On-sale and show info announced soon
June 18th, 19th, 20th - NYC, NY at Madison Square Garden
18th & 19th are Sold Out!
June 22nd - Columbia, MD at Merriweather Post Pavilion
On Sale: Nov. 13th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern
Tickets range from $40 - $80
June 24th - Atlanta, GA at Aarons Amphitheater Lakewood
On Sale: Nov. 13th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern
Tickets range from $25 - $100
June 26th - Miami, FL at Bayfront Park Amphitheater
On Sale: Nov. 14th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern.
Tickets range from $25 - $125
NB.
There will also be a Seattle, WA performance...
On-sale and show info announced soon"
Pure speculation on my part, but looks like that Seattle show could be at Sasquatch Festival, as the schedule is open between May 26th - 31st, and Sasquatch runs May 27th - 30th.
Articles about this: Gibson, NOLA, Examiner, San Diego Union Tribune, Music Times, Audio Ink Radio, Gambit, Mashable, NOLA Defender, KFOX14, Chron, San Antonio Current, NME, Rolling Stone, Entertainment Weekly, Diffuser, Contra Costa Times, Kansas City Star, Dallas Observer, KVIA, Under the Radar, Consequence of Sound, Brooklyn Vegan, Exclaim!, DIY, Pitchfork , Read Junk, Vanyaland
During the past 7 years the band has performed a number of 'Reflections' shows in LA and NYC, and headlined most of the major festivals, including Coachella, Lollapalooza, Bottlerock, Osheaga, two Austin City Limits, three Riots and a Voodoo...
"THE CURE TOUR 2016" will present Robert Smith (voice/guitar), Simon Gallup (bass), Jason Cooper (drums), Roger O'Donnell (keys) and Reeves Gabrels (guitar) as they explore 37 years of Cure songs, mixing hits, rarities, favourites and as yet unreleased tracks in a brand new stage production that promises to be the 'must see' show of the year!
Support on all dates will be The Twilight Sad.
May 11th - New Orleans, LA
On-sale and show info announced soon
May 13th - Austin, TX at Frank Erwin Center
On Sale: Nov. 13th at 10 am Central
Presale on Nov. 12th at 10 am Central
May 14th - Houston, TX
On-sale and show info announced soon
May 15th - Dallas, TX
On-sale and show info announced soon
May 17th - El Paso, TX at Don Haskins Center
On Sale: Nov. 13th at 10 am Mountain
Presale on Nov. 12th at 10 am Mountain.
Tickets range from $19.25 - $60.25
May 19th - Las Vegas, NV at The Chelsea Theater at The Cosmopolitan
On Sale: Nov. 13th at 10 am Pacific
Presale on Nov. 12th at 10 am Pacific.
Tickets range from $50 - $125
May 20th - Chula Vista, CA at Sleep Train Amphitheater
On Sale: Nov. 13th at 10 am Pacific
Presale on Nov. 11th at 10 am Pacific
Tickets range from $32 - $82
May 22nd, 23rd, 24th - Los Angeles, CA at The Hollywood Bowl
Sold Out!
May 26th - Mountain View, CA at Shoreline Amphitheatre
On Sale: Nov. 13th at 10 am Pacific
Presale on Nov. 12th at 10 am Pacific
Tickets range from $? - $107
May 31st - Vancouver, BC at Festival Lawn at Deer Lake Park
On Sale: Nov. 27th
Tickets are $57
June 3rd - Salt Lake City, UT at Maverik Center
On Sale: Nov. 13th at 10 am Mountain
Presale on Nov. 11th at 10 am Mountain
RESERVED MAIN FLOOR $58.00 - $48.00
RESERVED LOWER BOWL $58.00 - $38.00
RESERVED UPPER BOWL $28.00
June 5th - Denver, CO at Fiddler's Green Amphitheatre
On Sale: Nov. 14th at 10 am Mountain
Presale on Nov. 12th at 10 am Mountain
Tickets range from $25 - $75
June 8th - Kansas City, MO at Starlight Theatre
On Sale:Nov. 14th at 10 am Central
Tickets range from $25 - $95
June 10th & 11th - Chicago, Il at U.I.C Pavilion
10th is Sold Out!
June 12th or 13th - Toronto, ON
On-sale and show info announced soon
June 14th - Montreal, QC at Bell Centre
On Sale: Nov. 27th at 10 am Eastern
June 16th - Boston, MA
On-sale and show info announced soon
June 18th, 19th, 20th - NYC, NY at Madison Square Garden
18th & 19th are Sold Out!
June 22nd - Columbia, MD at Merriweather Post Pavilion
On Sale: Nov. 13th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern
Tickets range from $40 - $80
June 24th - Atlanta, GA at Aarons Amphitheater Lakewood
On Sale: Nov. 13th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern
Tickets range from $25 - $100
June 26th - Miami, FL at Bayfront Park Amphitheater
On Sale: Nov. 14th at 10 am Eastern
Presale on Nov. 12th at 10 am Eastern.
Tickets range from $25 - $125
NB.
There will also be a Seattle, WA performance...
On-sale and show info announced soon"
Pure speculation on my part, but looks like that Seattle show could be at Sasquatch Festival, as the schedule is open between May 26th - 31st, and Sasquatch runs May 27th - 30th.
Articles about this: Gibson, NOLA, Examiner, San Diego Union Tribune, Music Times, Audio Ink Radio, Gambit, Mashable, NOLA Defender, KFOX14, Chron, San Antonio Current, NME, Rolling Stone, Entertainment Weekly, Diffuser, Contra Costa Times, Kansas City Star, Dallas Observer, KVIA, Under the Radar, Consequence of Sound, Brooklyn Vegan, Exclaim!, DIY, Pitchfork , Read Junk, Vanyaland
Sunday, November 1, 2015
The Cure at Voodoo Experience 2013
The Cure at Voodoo Experience in New Orleans on Nov. 3rd, 2013
Newly posted HD capture of the complete show!
Lauren from Chvrches wanted to be Robert
TFW you dress as Robert Smith for Halloween and no one gets it... pic.twitter.com/H18Bppd7Fx
— Lauren Mayberry (@laurenevemay) November 1, 2015... So you have to turn it into Edward Scissorhands. Make up by tour manager extraordinaire Cara McDaniel. pic.twitter.com/IlDwxYKlsu
— Lauren Mayberry (@laurenevemay) November 1, 2015Also, just saw them twice and they were fantastic! Denver show was great, Orlando show was incredible! Go see them if you can!
Monday, October 26, 2015
Win tickets to see Perry & Love Amongst Ruin
Hi guys,we're looking forward to seeing you all on our Lose Your Way Tour!Today you have the chance to win tickets for...
Posted by Love Amongst Ruin on Monday, October 26, 2015
Subscribe to:
Posts (Atom)

