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Saturday, November 9, 2024

Interview with Ben from Polydor

From Music Week:

"Robert Smith is beyond passionate": Polydor's Ben Mortimer on The Cure's triumphant return to No.1

by George Garner

It was very much a case of Friday, The UK's In Love for The Cure, as the iconic group and their label Polydor celebrated an incredible charts results day on Friday, November 8. 

More than 32 years after their only previous No.1 album, Robert Smith’s band marked an emphatic return to the top of the chart with their 14th studio release – and first for 16 years – Songs Of A Lost World.

Indeed, Polydor co-president Ben Mortimer has told Music Week that even when held against their own lofty expectations, the response from the public has been "overwhelming". Songs Of A Lost World has effectively done seven times the first week sales of 2008's 4:13 Dream, and outsold three of their last four albums' entire lifetime sales in one week. 

So, how does it look when broken down?

Well, for one, The Cure outsold the rest of the Top 5 combined, with a stellar opening frame of 51,362 sales (19,838 CDs, 23,182 vinyl albums, 1,219 cassettes, 4,546 digital downloads and 2,577 sales-equivalent streams) according to Official Charts Company data.

First week sales of Songs Of A Lost World are, in fact, the fifth highest on debut for any album in 2024, trailing only Taylor Swift’s The Tortured Poets Department (270,091), Coldplay’s Moon Music (236,796), Sabrina Carpenter’s Short N’ Sweet (89,658) and Billie Eilish’s Hit Me Hard & Soft (67,111). 

For further context, let's turn to Music Week charts analyst Alan Jones' breakdown: “[The Cure] also exceed the to-date sales of The Cure’s last studio album, 2008’s 4:13 Dream, which debuted and peaked at No.33 on consumption of 7,360 units, 16 years ago last week, and has to-date consumption of 35,123 units. Songs Of A Lost World’s 597.85% increase on that album’s first frame is due to many factors, including the fact it has been so long since an album by The Cure; the multiplicity of its physical formats (two CD, two cassette and six vinyl); a live stream of their 1 November gig at The Troxy; a BBC Radio Two ‘In Concert’ performance; and the popularity of Songs Of A Lost World singles Alone and A Fragile Thing. The latter track has provided the band’s highest radio airplay chart position – No.26 – for more than 20 years last week, including attracting 59 plays from the aforementioned Radio Two so far.”

Robert Smith wanted to know how much we believed in the record before he'd commit to working with us, so we didn't hear a note until the deal was signed – which was a touch that I loved and respected

On top of this, Polydor have actually secured a chart double this week, with their act Gracie Abrams also topping the UK singles chart with That's So True jumping to No.1 on sales of 40,798.

Here, Polydor president Ben Mortimer, talks about working with Robert Smith, getting the band back to the top, and more...

Before we get into the campaign, what has it meant to you personally to work on The Cure's first new record in 16 years? And what has it been like working closely with Robert Smith?  

“First off, I am the hugest fan. Disintegration got me through a tough period in my early teens. I've always loved the band's ability to be so mournful and despairing and marry it with such beautiful melodic pop songs, so it meant huge amounts to me personally to get to work on this. And working with him has been a privilege. Robert is so dedicated to his craft, he's beyond passionate about the band and its legacy. He wanted to know how much we believed in the record before he'd commit to working with us. So we didn't hear a note until the deal was signed, which was a touch that I loved and respected. He is hands on in every part of his business in the most inspiring way.”

The Cure have returned, obviously, to a massively different music landscape compared to the one they operated in with 4:13 Dream. What were Polydor’s hopes and expectations for week one given there's not been a new album for so long, and have the actual sales surprised you? 

“I had a feeling it would do well. We're lucky enough to work The Cure catalogue, so are well aware of how well their music streams and across so many generations. But this has been an overwhelming response that in truth we didn't completely predict. But then again it's an incredible record, with 5/5s across the board. As predictable as this sounds, the greatest music always finds its way to people in the end.” 

It’s interesting how you achieved the result without a very long pre-order period compared to most albums. What did you have to work with in terms of data/fanbase for the campaign? There's obviously their incredible catalogue too – how have you reactivated that in the run-up? 

“Whether intentionally or not, the band have been running the smartest teaser campaign. It would be worthy of a Music Week marketing award! He teased the record was coming years ago. Something he says he regrets, but it created a sense of folklore around the album, and the band have been playing songs from it on tour for several years. Clips have been all over the internet. All of this created feverish demand amongst the fanbase.” 

There looks set to be huge international success with the album as well, what role did Polydor play in connecting all the dots globally for that to happen? Did you have any specific territories outside of the UK that you really wanted to target?

“They're huge in Europe, Australia, North, Central and South America. As soon as we told our partners this was coming there was palpable excitement and demand. We zoned in on Germany, France, Holland, and several other key markets, and they've all delivered. It's testament to the power of the global company.”  

The Troxy show was another big moment of the launch week, not least because they played the whole album in full. Why are intimate launch shows still so effective in your mind? 

“Our partnership with YouTube on the live stream made it possible. And they recorded insane levels of traffic on it. They're a stadium and festival band, so to see them this intimate, was a special experience even for those on the live stream. Playing for over three hours… It was truly my 2024 highlight.”

On top of The Cure, Polydor also have the No.1 single this week with Gracie Abrams. What does that say about Polydor right now in terms of your roster, and your ability to get top results for veteran and new artists alike? 

"The Polydor roster is well renowned as one of the best in the UK business. We have long relationships with so many artists whose careers continue to flourish. Lana Del Rey is nine albums in, Michael Kiwanuka is four. The Cure and Snow Patrol recent successes are current examples of how seriously we take career longevity. Gracie's first number No.1 single shows how we are equally committed to the next generation of artists coming through. They are after all the lifeblood of our business."

(Photo, L-R): Ali Tant, Robert Smith, Jim Chancellor, Ben Mortimer, Faye Jordan and Fred Stuart) 

Songs of a Lost World is #1 in the UK

Update: also debuts at #1 in Scotland, Germany and on these other UK charts - Vinyl, Record Store, Physical Albums and Album Downloads. #3 in Ireland.


From Official Charts:

The Cure's Songs Of A Lost World becomes band's first Number 1 album in 32 years

The band's 14th studio LP outsells the rest of the Top 5 combined to reach the summit

By Carl Smith

The English rock legends, whose current line-up comprises Robert Smith, Simon Gallup, Roger O’Donnell, Perry Bamonte, Jason Cooper and Reeves Gabrels, last topped the Official Albums Chart with 1992 record Wish. 

16 years in the making, Songs Of A Lost World outsells the rest of the Top 5 combined to reach the summit, and earns the group a 23rd Top 40 album overall.

Reacting to the news, The Cure’s Robert Smith says: 

“It is enormously uplifting, genuinely heartwarming to experience such a wonderful reaction to the release of the new Cure album. 

“To everyone who has bought it, listened to it, loved it, believed in us over the years - THANK YOU!”

Song Of A Lost World also tops the Official Vinyl Albums Chart, the week’s biggest seller on wax, and the Official Record Store Chart, proving the most popular LP of the past seven days in independent UK record shops. 

The record’s release reignites interest in The Cure’s back catalogue, too. 2001’s Greatest Hits returns to the Top 40 for the first time in five years, vaulting 76 spots (30).

Thursday, November 7, 2024

CoF on Bluesky

Once again, completely understand why so many are leaving Twitter. You can find CoF on Bluesky too - @craigatcof.bsky.social

From The Cure

DUE TO DEMAND... 'SONGS OF A LOST WORLD' (DELUXE EDITION) IS NOW AVAILABLE TO DOWNLOAD UNTIL MIDNIGHT TONIGHT. PLEASE BE SURE TO CHECK EMAILS & DOWNLOAD TO HEAR THE FIVE EXCLUSIVE LIVE TRACKS AT TheCure.lnk.to/WorldwideDeluxe

Lost World still on track for UK debut at #1

From Music Week:

In the albums chart this week, The Cure are hurtling towards a No.1 finish with Songs Of A Lost World, which has racked up 45,054 sales so far. The record is significantly boosted by its physical release, which accounts for 40,129 sales, whilst downloads account for 3,234 units and streams make up 1,691. 

Mark Gardener and Kevin Shields at Troxy

From Ride Appreciation Society.

Robert Smith with Mark Gardener of Ride and Kevin Shields of My Bloody Valentine at Troxy London.


Lost World Deluxe Digital Download

Update: Now available in the UK store too, but only until midnight tonight (Nov. 7th).

It's now available in the EU and AU shops as well.


Available from The Cure shop (US only, but there are ways around that):

THE CURE SONGS OF A LOST WORLD (DELUXE) DIGITAL DOWNLOAD (MP3 & FLAC)

US $4.99

DELUXE DIGITAL ALBUM FEATURES SONGS OF A LOST WORLD STANDARD TRACKLIST PLUS FIVE LIVE BONUS TRACKS RECORDED AT SHORELINE AMPHITHEATER IN 2023.

TRACKLIST:

1.ALONE

2.AND NOTHING IS FOREVER

3.A FRAGILE THING

4.WARSONG

5.DRONE:NODRONE

6.I CAN NEVER SAY GOODBYE

7.ALL I EVER AM

8.ENDSONG

9.ALONE : LIVE @ SHORELINE AMPHITHEATER 2023

10.AND NOTHING IS FOREVER : LIVE @ SHORELINE AMPHITHEATER 2023

11.A FRAGILE THING : LIVE @ SHORELINE AMPHITHEATER 2023

12.I CAN NEVER SAY GOODBYE : LIVE @ SHORELINE AMPHITHEATER 2023

13.ENDSONG : LIVE @ SHORELINE AMPHITHEATER 2023

LIVE @ SHORELINE AMPHITHEATER 2023

Wednesday, November 6, 2024

Lost World reviews video

Reviews of The Cure's Songs of a Lost World. Video sent out by The Cure via Whatsapp.

James McCartney at Troxy

"What an awesome evening @TroxyLondon being fortunate enough to watch @thecure play tracks from their new album 'Songs Of A Lost World'. Lovely catching up with you Robert" ❤️



White label auction

Update: today at 2pm UK time.

Final prices 

Pornography - £1,000
The Head on the Door - £800
Show - £750
Wish - £600
The Top - £800
Japanese Whispers - £700
Paris - £850
Greatest Hits - £1,000


The White Label Auction In Aid of The BRIT Trust

Upcoming auction from Omega Auctions. 

8 from The Cure, all signed by Robert Smith.

Pornography 
The Head on the Door 
Show
Wish
The Top
Japanese Whispers 
Paris
Greatest Hits

Thanks, JC







Songs Of A Lost World outsells Top 10 albums combined

From Music Week:

The Cure are racing ahead in the albums chart this week with their new record, Songs Of A Lost World, which has racked 40,918 sales so far, outselling the rest of the Top 10 albums combined. Out of that total figure, 36,970 units account for the record's physical release, whilst downloads account for 2,838 and streams make up 1,110 sales.

In second place, Sabrina Carpenter’s Short N’ Sweet has 4,877 sales.


Troxy AP prints also available

Daniel has some Troxy AP prints available in his store.

"signed Artist Proof edition

18x24" screenprint on subtle metallic paper for maximum moon dust vibes

one per household, one per address, do not be weird or complicated.

this is a preorder. these will likely ship in late december."


Troxy 2nd edition poster & card available

The 2nd edition of Daniel Danger's Troxy poster is available at The Cure Shop.

Designing The Cure’s new album art



Long-time collaborator Andy Vella talks to us about working on the album artwork and campaign for the band’s first studio album in 16 years

By Megan Williams

Following a 16-year break from studio albums, The Cure’s new record Songs of a Lost World has been met with widespread acclaim and lauded as “powerful, possessed of a dark beauty and frequently moving”.

“The new album is The Cure at their classic best,” Andy Vella, graphic designer and the band’s long-time collaborator, tells CR. The result is ripe for visual exploration. “It’s got an amazing darkness, presenting a graphic reality that describes where we are now as a human species. Musically, it’s very powerful and transports you to a very stark place.”

Vella began to think about the visual approach long before he had even heard the music, initially going off the ideas he knew frontman Robert Smith would be exploring in the album. “Having worked with the band for over 40 years, and worked on the majority of the band’s albums, I can start to visualise and create imagery without even hearing the music,” he explains.

Vella creates a new band wordmark for every album, each of which has come to define the various periods in the band’s discography. For Songs of a Lost World, the logo features new custom ‘Cureation’ lettering – a distressed, tactile serif that he designed after hearing some of the new music during the band’s 2022 tour.

“It’s got a dark sophistication about it with, again, some playfulness in the typography, although it’s hanging onto a slight classicism, too,” he says. “Robert and I felt that this was right for the new album.”

He and Smith then began to interpret this visually across the rest of the album cover, which aims to channel the music’s sense of “desolation” by conjuring a bygone age. Smith brought up a 1975 sculpture by Slovenian artist Janez Pirnat called Bagatelle, which Vella pictured “floating in space, almost as a distant relic from a forgotten time; a buoyant force resisting any kind of gravity.”

The designer then worked with his Arts University Bournemouth colleague Ben Parker to bring the sculpture to life in motion across the album website and lyric videos.

Vella worked on various formats of the album artwork, from digital to cassette, as well as a limited edition version using thermographic ink, where the sculpture’s head is revealed when heated. The album’s commentary on the state of the world is echoed in the design approach, which included using bio vinyl and creating “eco merchandise”.

The visuals fed into a series of teasers, including outdoor displays in cities around the world featuring the release date and the album title’s initials (the remaining letters were only visible under UV light) and a typographic poster placed outside The Railway pub (previously The Rocket) in Crawley, where the band played their first gig. “Within a week of the poster going up, someone had smashed the glass cabinet that contained the poster to nick it!” says Vella.

There were also anamorphic displays of the Bagatelle sculpture projected onto buildings around the world, including on Blackpool Tower in Smith’s hometown.

“The moving thing about this album cover is that it embodies a darkness that the band have always had; yet it’s moved into a different look with the cover almost illustrating and embodying the sound and emotions of the album, which has definitely resonated hugely with people who’ve heard it,” says Vella, who has been enamoured by the response so far.

“The album’s going down as classic Cure – not only does it sound like classic Cure, people have commented that it looks like classic Cure too, which is simply immense.”

Songs of a Lost World by The Cure is out now; velladesign.com

Night Swimming at Troxy

One of my favorite young bands were there. So happy for them. If you don't know them, look them up. Dream pop at its finest.

Pedro Pascal was at Troxy show

From Johanna Atilano:

Pedro Pascal spotting at @thecure! Love him even more now!